Resultados: Considerando la totalidad de los implantes, el ángulo de convergencia fue de 23,3° (+/- 15,82).
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Se excluyeron los tornillos con una brecha ósea >4 mm en cualquier dirección, los casos con instrumentaciones pediculares previas y aquellos con curvas en el plano coronal mayores de 20°. Se incluyeron fusiones lumbosacras cortas desde 元 a S1, en pacientes adultos, con patologÃa degenerativa. Método: Se revisaron en forma retrospectiva los controles en tomografÃa axial computada (TAC) de 76 tornillos pediculares lumbares y sacros colocados por vÃa posterior, mediante un abordaje mediano convencional (n: 38) o por vÃa posterolateral transmuscular tipo Wiltse (n: 38). Resumen Objetivos: El objetivo de este estudio fue comparar, en fusiones lumbosacras cortas, el ángulo de convergencia de los tornillos pediculares entre el abordaje posterolateral tipo Wiltse y el abordaje mediano convencional. Gagliardi, MartÃn Guiroy, Alfredo Molina, Federico Fernández Fasano, Francisco Ciancio, Alejandro Morales Mezzadri, Juan José Jalón, Pablo The show was a fusion where music, cinema, dance, and words convey the message of the values of the Peruvian Amazon, its culture, its wonderful nature, its knowledge and the deep teachings that derive from his history and its vision of life.Trayectoria de los tornillos pediculares lumbares y sacros: Comparación entre el abordaje por linea media versus el abordaje posterolateral tipo wiltse La Muyuna was presented in "Yuyachkani" theatre in Lima Perú, 2016 and was iInvited to participate in the XVII Iberoamerican Festival of Contemporary Theatre in Almagro, Spain. Mariana Tschudi was Coproducer and visual director of the Interdisciplinary show “La Muyuna” – Winner of the Iberescena prize 2017. La Muyuna is an encounter with the Memory, a return to the origins, to the swirls of water, that establishes links between past and present, in projection to the future. The Muyuhuayra is the wind swirling that originates sounds and moves us to other places, which is linked to the music and carries echoes from the mountain and the wind turns.
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La Muyuna expresses the cycles of life, the turns and returns. "Muyuy" means to spin, turn, rotate, but also germinate. She is currently working on a new piece called Sanken Rei Mariana has exhibited her work in international festivals and galleries, such as the Ibero-American Video Art Festival in Spain, the VAEFF Video Art and Experimental Film Festival in New York, the Scope art fair in Miami, the Robert Flaherty Film Festival in New York, the Peruvian Film Festival in Paris, The Almagro Festival, in Spain, the SxSW South by Southwest Festival in Austin, Texas, among others. As well as URANIA, a video art and performance piece presented in the British theatre of Lima in 2015, and 2016 and LA MUYUNA, a theatre piece that won the Iberescena award and was presented in Peru and Spain. Among the pieces she has directed is "PACIFICUM, the return to the ocean", a film that won the Audience Award at the Lima Film Festival, 2017. She has made a commitment to dedicate her work, that has a variety of expressions such as documentaries, movies, theatre pieces, performances, video installations or video art, to the understanding and communication of the ancestral knowledge that lies underneath Peruvian Cultures.
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Mariana Tschudi is an audiovisual artist graduated from RISD, USA and the University of the Arts in London, whose work has been focused on generating environmental and social awareness.